The Alfred Stieglitz Collection
  • Menu
  • Objects
  • Resources
  • About
>
  • Objects
  • Works on Paper
  • Sculpture
  • Paintings
  • Artists
    • Kota
    • Baule
    • Paul Cézanne
    • Charles Demuth
    • Arthur Garfield Dove
    • Charles Duncan
    • Wanda Gág
    • George Grosz
    • Marsden Hartley
    • Bernard Karfiol
    • Benjamin Kopman
    • Stanton Macdonald-Wright
    • Manolo
    • John Marin
    • Alfred Henry Maurer
    • Kenneth Hayes Miller
    • Elie Nadelman
    • Georgia O’Keeffe
    • Jules Pascin
    • Attributed to Pablo Picasso
    • Pierre-Auguste Renoir
    • Diego Rivera
    • Gino Severini
    • Charles Sheeler
    • Paul Signac
    • Théophile Alexandre Steinlen
    • Maurice Sterne
    • Florine Stettheimer
    • Alfred Stieglitz
    • Henri de Toulouse-Lautrec
    • Unknown
    • Abraham Walkowitz
Aristide Bruant
Henri de Toulouse-Lautrec

Aristide Bruant

Yvette Guilbert
Henri de Toulouse-Lautrec

Yvette Guilbert

Chanteur Américain (American Singer)
Henri de Toulouse-Lautrec

Chanteur Américain (American Singer)

<
Aristide Bruant

Henri de Toulouse-Lautrec

French, 1864 - 1901

Aristide Bruant

1893

Lithograph
10 1/4 x 8 1/4 in. (26 x 21 cm)
Framed: 21 x 18 1/8 x 7/8 in. (53.3 x 46 x 2.2 cm)


Henri de Toulouse-Lautrec’s paintings, lithographs, and advertisements depicting the demi-monde of early twentieth-century Paris have become iconic. With his signature style and wit, he captured the many nuances, both light and dark, of the bohemian world of the Montmartre district.

Aristide Bruant was a singer and comedian who cultivated an irreverent working-class persona and entertained by humorously insulting his audience, particularly the upper-crust who came “slumming” to Montmartre. He performed in the nightclub Le Chat Noir, which Lautrec also frequented, and they soon became friends. When Bruant was asked to perform at les Ambassadeurs on the Champs Élysée, he commissioned Lautrec to create posters promoting his act. Lautrec created a bold Art Nouveau image of Bruant, in his wide-brimmed hat and dramatic red scarf, and used it on several posters promoting his friend’s performances. The works were plastered all over Paris, and helped popularize not only Bruant, but the poster-artist Toulouse-Lautrec, as well.

Stieglitz admired Lautrec’s sense of humor, and exhibited 30 of his lithographs in 1909. It was the first exhibition of Lautrec’s work in the US. The three lithographs presented here were commissioned for the 1893 print portfolio Le Café Concert and were exhibited in Stieglitz’s 291 gallery in 1910.